it’s best considered as a “twilight zone” sort of tale. The movie definitely begs you to suspend disbelief and just enjoy the fantasy. Visit my Houses Onscreen page to see the other movies I’ve featured, listed A-Z. Thanks to Triangle Modernist Houses for providing the production photos and information. Sandra Bullock said in interviews that she loved the house and hated seeing it torn down: “I was so disappointed that I couldn’t keep it, move it, and at least use it as a guest house somewhere.” We also drew from the Regency Period, a style popular in England in the early to mid-1800s, to add romance and elegance to the overall look.” They also “integrated some elements of greenhouses.” “In some ways its roots lie in the kind of 1960s glass box style. “We wanted a mixture of modern and classical, something that Alex’s father might have designed.” So it made sense for us to create exactly what we wanted. “The house was our most important set, the one key piece around which the story revolves. “We even had a heating system installed to keep our actors warm.”Ĭrowley, who also acted as the production designer, says: “It wasn’t very big, but the logistics were a real challenge, especially in the limited time we had to do it,” Crowley says. “The house was actually constructed on dry land next to the lake, atop steel beams that rose 10 feet above the waterline.” They excavated nearly 1200 cubic feet of soil and let lake waters flood under the pilings. According to Triangle Modernist Houses:Ĭrowley took the 2,000 square-foot structure from sketches to completion in just ten weeks:Ģ weeks design and documentation, 4 days bidding, and a scant seven weeks for actual construction.ģ5 tons of steel and a crew of nearly one hundred was required to finish the house by the time filming was scheduled to begin. “He built a house, not a home.”īritish architect Nathan Crowley designed the house. Alex tells his brother, “This house is about ownership, not connection.” There are views all around, but no way to connect with them. There was a maple tree in the center of it.Īlex’s father was a famous architect who built the glass house. The house had running water, but no bathrooms. It’s such a tight close-up that we’re left to imagine what the rest of the kitchen looks like: This shot of Alex as he cooks in the kitchen is a prime example. “It proved to be the perfect setting: naturally serene and romantic, with the surrounding texture and terrain Agresti had in mind.”Īt least half of the movie takes place in and around the glass house on the lake, which is why it’s so maddening that we get to see so little of the interior. “Location manager James McAllister returned to Cook County, Illinois, where he had worked a decade previously on Evil Has a Face at a Forest Preserve location along the tranquil, 55-acre man-made Maple Lake. That means the house had to be demolished after filming. They were granted the use of the lake for filming as long as the site was left exactly as it had been.Īccording to the production notes: “After weeks of scanning lakefront locations in Wisconsin, Michigan, Illinois and Indiana and virtually every mile of the vast Lake Michigan shoreline for something that embodied all the necessary elements, The Lake House production team rose to the challenge and built the iconic house themselves.” They built this unusual glass house for the film on Maple Lake in Willow Springs, Illinois. Thanks to the magic mailbox at the lake house, though, they’re able to send and receive letters to each other. Alex (Reeves) is living in 2004, but Kate (Bullock) is in 2006, which is kind of a problem. In 2006, Speed co-stars Sandra Bullock and Keanu Reeves teamed up again for this remake of the South Korean film Il Mare about a doctor who falls in love with an architect she’s never actually met. Who could forget the glass house in the romantic drama The Lake House? It was the best part of the movie for me!
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